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The Lift

By Adam Lippe

Low budget filmmakers are told to use what they can get, writing their screenplays around what locations they can afford. Reservoir Dogs was made by a director (Quentin Tarantino) who knew he couldn’t afford to shoot a heist movie so he worked out a way to show everything but the heist. Sure, there’s a bit […]

Privacy Policy

By Adam Lippe

So here’s something not so useful for you to read, but that I’m legally obliged to write. Because of things like behavioral targeting, you might see ads on this site that reflect your interests or are frankly just annoying. You may feel free to ignore said advertising, but know that you’ve been made aware that […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.