Documentary

A radio interview with the person who wrote this sentence, Part IV: Comfort and Joy and Dream Lover

By Adam Lippe

Here is a podcast/radio interview from my appearance on Morning Feed with Ed Feldman from October of 2011, when I was promoting the Medium Rare Cinema screenings of Dream Lover and Comfort and Joy. Like my other appearances on Morning Feed, the topics are wide ranging starting with Harry Dean Stanton and Death Watch and concluding 2 […]

A podcast with Tim League, CEO of The Alamo Drafthouse, Fantastic Fest, and Drafthouse Films

By Adam Lippe

Here’s a podcast with Tim League, creator and CEO of The Alamo Drafthouse and Fantastic Fest. This was recorded around November 2010 and the interview was initiated because Tim and Alamo Drafthouse Films were putting out Chris Morris’ Four Lions as their first film. You can hear my interview with Chris Morris here. This very […]

Swimming to Cambodia

By Adam Lippe

I am not now, nor have I ever been a member of the slam poetry appreciation party. The speed with which you speak has nothing to do with the profundity. I do not know how a show like Russell Simmons’ Def Poetry Jam can garner seven seasons when the rhythms of each performer, regardless of […]

How does movie awards voting work? Why is the winner never the best movie? Listen to this radio interview I did to find out.

By Adam Lippe

I was on Gtown radio on Friday morning to talk about the Medium Rare Cinema screening of the uncut version of Burn! (being shown at a new location), but also to talk about the Oscars. I took the opportunity to discuss my experience in voting in the Online Film Critics Society awards, and the various […]

A radio interview with the person who wrote this sentence, on Gtown Radio: Part III

By Adam Lippe

Here is the third in a series of no doubt 4 million appearances (or maybe less) that I made on Ed Feldman’s Morning Feed. Originally the interview ran at an epic length, 3 and 1/2 hours. Now, after some judicious editing, it runs at a mini-epic length of 2 hours, but you’ll still get plenty […]

Dragged, Kicking and Screaming to Answer Year-End/Best of 2011 Questions

By Adam Lippe

I am not a fan of year-end lists. They are entirely reductive and self-congratulatory. However the text below was triggered by another critic, Examiner.com’s Jason Roestel, who asked me to contribute to his year-end piece. So this is a version that fixes as many grammatical errors as I originally had, as well as some significant […]

An ode to Ken Russell, RIP

By Adam Lippe

In honor of director Ken Russell (The Devils, Women in Love, Crimes of Passion, Lisztomania, Tommy) who died yesterday, I’m posting a video I edited exploring his themes and motifs, narrated by Russell himself. Sound is required, watching it in a large window is recommended, and considering the rather decadent nature of his films, I […]

A podcast with Danny Buday, writer/director of Five Star Day

By Adam Lippe

Here’s a podcast with Danny Buday, the writer/director of Five Star Day. Now I’m totally aware that most people will not have heard of this film, Mr. Buday’s first. That’s because Five Star Day, as of November 4th, has received a limited theatrical release, as well as a simultaneous release on Facebook. The movie itself […]

A radio interview with the person who wrote this sentence, on Gtown Radio: Part II

By Adam Lippe

Here’s my second radio appearance on Morning Feed with Ed Feldman. This time I was promoting the Medium Rare Cinema screening of the Richard Dreyfuss vehicle The Big Fix but the conversation once again jumps around a lot to movies being released around that time (June 2011) such as Submarine, Tree of Life, Super 8, […]

A podcast with Ann Louise Bardach, the screenwriter of Dennis Hopper’s Backtrack

By Adam Lippe

Here’s a podcast with Ann Louise Bardach, journalist for The New York Times, Newsweek, Slate, etc., and the screenwriter of Dennis Hopper’s Backtrack, the director’s cut of which I reviewed here. Now Backtrack was an incredibly troubled production, sitting on the shelf for two years before being dumped by its bankrupt distributor in a cut […]

A radio interview with the person who wrote this sentence, on Gtown Radio: Part I

By Adam Lippe

This is my appearance with Ed Feldman on his show Morning Feed, on Gtown Radio, on May 19th, 2011. As of this writing, I’ve appeared 4 times, this being the first, and it runs just a shade under 2 hours. I was there to promote the Medium Rare Cinema screening of John Woo’s Bullet in […]

A podcast with Billy Corben, director of Cocaine Cowboys, Raw Deal, Square Grouper, and The U

By Adam Lippe

Below is an interview with director Billy Corben, who made the two Cocaine Cowboys films, Raw Deal, Limelight, Square Grouper (his new documentary about pot smuggling in Florida, which he happened to be promoting at the time of this interview), and The U, which is relevant now since its subject is Miami University’s football team, […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.