Here’s a podcast with Tim League, creator and CEO of The Alamo Drafthouse and Fantastic Fest. This was recorded around November 2010 and the interview was initiated because Tim and Alamo Drafthouse Films were putting out Chris Morris’ Four Lions as their first film. You can hear my interview with Chris Morris here. This very […]
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Featured quote (not written by me)
Cultural critic James Wolcott, on the new film critic:
"Film critics today have become these rabid completists... They feel like that with festivals, they have to see everything, no matter how minor. Part of it is bragging rights. The other part is that the only thing that feeds into their movie writing is other movies."
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Archive for November 10th, 2012
A podcast with Tim League, CEO of The Alamo Drafthouse, Fantastic Fest, and Drafthouse Films
Saturday, November 10th, 2012
Tags: A Horrible Way to Die, Adam Lippe, Alamo Drafthouse, Anvil, Bad Lieutenant: Port of Call New Orleans, Best Worst Movie, Black Dynamite, camp, Catfish, Chris Morris, Drafthouse Films, Fantastic Fest, FIlm School Rejects, Four Lions, genre, Love Exposure, Medium Rare Cinema, Miami Connection, Olive Films, Quentin Tarantino, Red White & Blue, Red White and Blue, RegrettableSincerity.com, Sonny Chiba, The Bodyguard, The Room, Tim League, Winnebago Man
Posted in Documentary, Horror | No Comments »
A podcast with Tim League, CEO of The Alamo Drafthouse, Fantastic Fest, and Drafthouse Films
Saturday, November 10th, 2012
Tags: A Horrible Way to Die, Adam Lippe, Alamo Drafthouse, Anvil, Bad Lieutenant: Port of Call New Orleans, Best Worst Movie, Black Dynamite, camp, Catfish, Chris Morris, Drafthouse Films, Fantastic Fest, FIlm School Rejects, Four Lions, genre, Love Exposure, Medium Rare Cinema, Miami Connection, Olive Films, Quentin Tarantino, Red White & Blue, Red White and Blue, RegrettableSincerity.com, Sonny Chiba, The Bodyguard, The Room, Tim League, Winnebago Man
Posted in Documentary, Horror | No Comments »
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Roadracers
Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.
Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]
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Archive
Featured Quote (written by me)
On Cold Fish:
Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”
Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.