There’s a famous poem by Robert Frost that says, and I paraphrase, “two roads diverged, both selling out in their own way, one to Hollywood, and one to direct-to-video erotic thrillers.” Frost wrote this poem after watching Open House, a low-budget slasher movie taking place amongst real estate agents, written by David Mickey Evans, who followed up this script with the fantasy/child abuse uplifting drama, Radio Flyer and the nostalgia for racial mixing amongst young baseball players with The Sandlot, while director Jag Mundhra followed Open House with titles like Sexual Malice, Tropical Heat, and most recently, Kama Sutra 3.

Open House is like a perfect synthesis of these two styles, featuring both badly staged murders and gratuitous nudity, as well as a too good for this project Hollywood star, Adrienne Barbeau as the lead, who is involved in a horribly unconvincing romantic relationship with a doctor with a radio call-in show, who may or may not have the key to discovering who the serial killer is. The killer’s likes including growling off-screen, collecting severed fingers, and terrifying bimbos trying to sell overpriced property. A subplot that was a precursor to Glengarry Glen Ross with scheming, sleazy battles between salespeople, gives us such winning dialogue as “your leads are for the birds!” There’s even a rather original explanation for the motive of the killer, suggesting that there might have been a much smarter movie just underneath the layers of inept, cheap sleaze. But to add brains to a movie like this would be a mistake, its very lack of self-awareness is what gives it its charm. If Open House were a better movie, what would we make of the scene where a woman is electrocuted, because the killer poured champagne on her naked breasts? Or that 90% of the dialogue required ADR? Or when a woman discovers the first dead body, she screams so long, that it veers off into humor, and keeps going after that, for probably another 30 seconds.

Barbeau takes the movie rather seriously, which is the only explanation for her nude scene, because her performance is so bad, she had a hard time convincing me she was going for her morning jog, let alone engaging in a relationship with the radio doctor. It’s also pretty difficult to hate a movie where a character drives the strangest looking hybrid imaginable, with what appears to be a Rolls Royce convertible sports car. Tackiness that extreme can’t help but be endearing.

This entry was posted on Saturday, April 25th, 2009 at 9:39 pm and is filed under Horror. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.