Tag Archive

A Podcast with Amy Ryan, star of Gone Baby Gone and Jack Goes Boating

By Adam Lippe

Here’s a podcast with Amy Ryan, Oscar nominated for Gone Baby Gone and Jack Goes Boating, which she was promoting in this particular case. The film is the directorial debut of Phillip Seymour Hoffman, who you can see in the photo to your left, accompanied by his dreadlocks. There were seven of us in the […]

Clash of the Titans (2010)

By Adam Lippe

It’s not a secret that the goal of reputable porn filmmakers has been to make a movie that is both erotic and dramatically riveting. Since the early 70s, the heyday of well made pornography (which includes such titles as The Opening of Misty Beethoven and The Devil in Miss Jones), there have been a few […]

A podcast with Jesus and his insight into The Final Destination

By Adam Lippe

Below is a podcast I conducted with Jesus about his reaction to the recent 3-D hit, The Final Destination. You can read my review of the film here. Click the play icon to listen to the podcast. Or you can download the podcast here. (Right-click, Save Link As…)

The Final Destination

By Adam Lippe

It’s always tempting to dissect a movie that never had any intention of being analyzed. You can read any message you want in a slew of different films; especially if sloppy filmmaking and indecision have left the door open (as with Knowing). Surely, a director who prepared, shot, and edited his movie during a period […]

Up

By Adam Lippe

Do you like hearing kids screaming and parents rushing their children out of the theater never to return? Me too. Listening to the questions of the young ones surrounding me, as the opening montage comprised of miscarriages and cancer progressed (“why is she crying?”) made Up quite a distinct experience, and a delightful one at […]

The [Motor]Cycles of the Film Industry

By Adam Lippe

It is no secret that Hollywood loves to be environmentally conscious by recycling product. What starts out “pure” gets used and then thrown in the trash where it is crushed to make several different products. This purity in movie terms would be represented in an “original vision,” and something that could be easily replicated. Quality […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.