Tag Archive

Sorority Row

By Adam Lippe

You know what might make an interesting frat house slasher movie? If they incorporated reverse gentrification instead of just the standard “rich bitches.” Imagine a sorority struggling to find funding, and as the economy dips further, so does the state of their house. They can’t afford a caretaker, they can’t even pay for clean water, […]

On art and commerce: An audio interview with Fissure director Russ Pond

By Adam Lippe

Below you’ll find an interview with the director of Fissure, Russ Pond (the review can be read here), that I conducted recently. The interview is about 17 minutes long and I’ve broken it up into three parts. The first two parts discuss the movie itself, so if you want to avoid spoilers, I’d be cautious […]

Fissure

By Adam Lippe

When a movie disorients you for 2/3 of its running time, making you feel like you can follow it, but never quite get a handle on it, without ever getting too confused, the eventual explanation is almost always going to be a let down. This is often a consequence of being ambitious, and carrying out […]

Kansas City Bomber

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Cherry 2000

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Iron Man

By Adam Lippe

For about 80 minutes, Iron Man is clearly the best comic book adaptation ever made. Sharp and witty, allowing for Robert Downey Jr. to give a completely freewheeling and simultaneously arrogant and self-deprecating performance, the movie makes fun of the dumb clichés inherent in these origin films, and makes it about the people and not […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.