Tag Archive

Megaforce

By Adam Lippe

The initial financial failure of Disney’s Tron (directed by Steven Lisberger) was attributed to the enormous expectations based on the egregious expense of the project because of the complicated computer effects. Tron was simplistic story-wise, and the replication of the feel of a video game would become commonplace not long after its 1982 release. The […]

Skeleton Crew

By Adam Lippe

The easiest way for filmmakers to get themselves out of being painted into the corner is with a deus ex machina. Sometimes that deus ex machina is a lapse of logic, like Samuel L. Jackson driving on the highway and looking out his window at the exact moment Bruce Willis flies out of a water […]

2008 In Review

By Adam Lippe

A great premise can be tantalizing to a studio. A corporation only thinks about a way to sell its product, it is uninterested in its level of mediocrity, so a solitary, exciting idea sounds great in a 30 second ad. A writer knows better, realizing that the initial premise is only the starting point, you […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.