Tag Archive

Jennifer’s Body

By Adam Lippe

Do you ever wonder if actors take advice from characters in their films in real life? Like perhaps Bruce Willis deciding that after Die Hard he would no longer walk around barefoot for any reason, you know, just in case terrorists shot up his house and he had to run around and avoid all the […]

A Schlock to the System: Film Festivals Part III

By Adam Lippe

“THIS GUY wrote Dr. Giggles!” “Sorry about that.” His producer clearly ignored what I said. “Have you seen it?” “Yeah, I have. The ending really stunk, smacked of studio interference… Was it?” This prestigious writer, Graeme Whifler, snapped to attention and addressed my question. “I had nothing to do with the ending.” “Good for you.”

Christine

By Adam Lippe

Christine is like three different movies in one, and they never gel. One is a realistic high school movie about a nerd trying to get along in school and in his family. Then there are the scenes with the bully, William Ostrander/Buddy Repperton, which move into the camp arena, since his performance is so wonderfully […]

Moment By Moment

By Adam Lippe

A notoriously forgotten film from 1978, this classic romance between budding closeted homosexual John Travolta and happily constipated lesbian Lily Tomlin is one of the most passionate movies that features a dog named Scamp and a character named Dan Santini never to be released on VHS, DVD, or LD. Somehow after the success of Carrie, […]

The Exorcist

By Adam Lippe

Most people are brainwashed into thinking The Exorcist is scary and makes you think, when I find it (along with a majority of my friends) to be a pretentious bore that takes itself way too seriously, and to interrupt the boredom, there is an occasional shock cut of something “disturbing,” although I would describe them […]

Greetings

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.