Tag Archive

The Big Fix

By Adam Lippe

Is it hard to believe that the 1973 novel The Big Fix was released a whole year before the novel of Fletch? Is Fletch just a WASP-y version of The Big Fix’s Moses Wine? Jeremy Paul Kagan’s film version of The Big Fix, stars and was produced by Richard Dreyfuss, making the Jewish subtext unmistakable. […]

Super 8

By Adam Lippe

When the great fake critic Joe Bob Briggs was hosting Monstervision on TNT back in the mid-1990s, he was often forced to show films that he didn’t appreciate. This didn’t happen when he was on premium channels like The Movie Channel, proudly examining low budget schlock behind his stereotypical redneck character, where the exposure was […]

When They Shouldn’t Have Bothered

By Adam Lippe

The movie version of The Boys From Brazil, based on Ira Levin’s (Rosemary’s Baby, The Stepford Wives) novel is about Hitler’s doctor Joseph Mengele, trying, via an extremely complicated process, to bring about a second coming. While the story is very clever, and the plan was very detailed and intelligent, it was so convoluted and […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.