Tag Archive

The Oxford Murders

By Adam Lippe

The money is no longer in America. It used to be that you weren’t considered a success until you made it in the US, so athletes, actors, and musicians from foreign countries have been trying to make their talents more accessible (read: dumbing down) whether it be by simplifying what made them great in the […]

A Podcast with Roger Nygard, the Director of Trekkies, Suckers, and his new documentary The Nature of Existence

By Adam Lippe

Here’s a podcast with Roger Nygard, the director of Trekkies, Trekkies 2, High Strung (w/Steve Odekerk and Jim Carrey), Back to Back: American Yakuza 2, Suckers, and his new documentary The Nature of Existence. This hour long podcast covers such topics as how to sell your movie in Japan by adding a vs. to the […]

A review and podcast on The Cove

By Adam Lippe

Below you’ll find a review of Louie Psihoyos’ documentary, The Cove. I’m also including a podcast about the film which I conducted with famed dictator Pol Pot, the former Prime Minister of Cambodia. Click the play icon to listen to the podcast. Or you can download the podcast here. (Right-click, Save Link As…) The use […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.