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Escape From the Bronx [aka Bronx Warriors 2]

By Adam Lippe

You always know who the villain of any movie is going to be once you see a scale model. This guy envisions some future with all sorts of newfangled property and technology and he’s obviously hired someone to build this tiny replica of what’s on his mind. Now I can see how an architect might […]

The Master

By Adam Lippe

One of comedian Pete Holmes’ best physical bits has him showing the audience how he likes to stand, with his arms at his sides and with his back arched as he juts his stomach out. “Everybody knows that this is the most comfortable way to stand. I want to stand like a pregnant woman stirring […]

Parade (2009)

By Adam Lippe

On an October 2011 episode of WTF, Marc Maron’s podcast where he interviews other comics, comedian Hannibal Buress talked about his first venture in NY when he was a struggling comic. Buress says then, he was going to as many open mics as he could. But moving from Chicago to follow his dream, he was […]

Looking for Mr. Goodbar, with bonus musical slideshow

By Adam Lippe

It was then. That doesn’t make it right. But that doesn’t make it different either.” – Comedian Greg Proops on why racist behavior in old movies shouldn’t be excused, but it shouldn’t make them worthless either.   The above quote is a canny way to explain away dated material without condemning it for being what […]

A Bittersweet Life

By Adam Lippe

Back in the mid-1990s, when gay cinema was just coming out of the closet and into the mainstream, there was a charming, formulaic lesbian comedy called The Incredibly True Adventures of 2 Girls in Love. There’s nothing particular special about the film and I can’t face watching it again, since there’s no doubt, with its […]

Tatie Danielle

By Adam Lippe

There’s a wonderful scene in the inconsistent satire Kids in the Hall: Brain Candy where an older lady, Mrs. Hurdicure, looks back fondly on a memory where her family came to visit her for Christmas. Ignoring the reality of the situation, her family spends less than 5 minutes in her house, drops off the presents […]

Camille (1936)

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

La Grande Bouffe

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Super 8

By Adam Lippe

When the great fake critic Joe Bob Briggs was hosting Monstervision on TNT back in the mid-1990s, he was often forced to show films that he didn’t appreciate. This didn’t happen when he was on premium channels like The Movie Channel, proudly examining low budget schlock behind his stereotypical redneck character, where the exposure was […]

Lisztomania

By Adam Lippe

There’s a famous story about how Paddy Chayefsky, screenwriter of Network, who had it in his contract that none of the dialogue that he wrote for Altered States could be changed. That presented a problem for any director brave enough to tackle the speech and science heavy material and still assert themselves on the set, […]

Reflections in a Golden Eye

By Adam Lippe

The alcohol lobby used to be much more powerful. Now they can only advertise at certain times on TV. Of course, with the stigma of drinking now attached to the notion that alcoholism is a disease; it’s certainly less glamorous to get publically plastered, and more likely to have you wake up on an episode […]

$10,000 Blood Money

By Adam Lippe

The Italian film industry sure loves their rip-offs. In the late 1960s, they made dozens of imitations of Sergio Leone’s Dollars Trilogy of Spaghetti Westerns (A Fistful of Dollars, For a Few Dollars More, The Good, The Bad, and The Ugly). In the mid 1970s, they made countless crime films, primarily inspired by The French […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.