Tag Archive

Escape From the Bronx [aka Bronx Warriors 2]

By Adam Lippe

You always know who the villain of any movie is going to be once you see a scale model. This guy envisions some future with all sorts of newfangled property and technology and he’s obviously hired someone to build this tiny replica of what’s on his mind. Now I can see how an architect might […]

Megaforce

By Adam Lippe

The initial financial failure of Disney’s Tron (directed by Steven Lisberger) was attributed to the enormous expectations based on the egregious expense of the project because of the complicated computer effects. Tron was simplistic story-wise, and the replication of the feel of a video game would become commonplace not long after its 1982 release. The […]

A few thoughts on Jonathan Demme

By Adam Lippe

What Paul Thomas Anderson takes most from Jonathan Demme, is the fact that in most of his films, especially in Something Wild, he shows an interest in all the people, from the main characters, down to the smallest extra part. You watch Something Wild and you want to know more about ‘Sister’ Carol East as […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.