Tag Archive

How does movie awards voting work? Why is the winner never the best movie? Listen to this radio interview I did to find out.

By Adam Lippe

I was on Gtown radio on Friday morning to talk about the Medium Rare Cinema screening of the uncut version of Burn! (being shown at a new location), but also to talk about the Oscars. I took the opportunity to discuss my experience in voting in the Online Film Critics Society awards, and the various […]

Looking for Mr. Goodbar, with bonus musical slideshow

By Adam Lippe

It was then. That doesn’t make it right. But that doesn’t make it different either.” – Comedian Greg Proops on why racist behavior in old movies shouldn’t be excused, but it shouldn’t make them worthless either.   The above quote is a canny way to explain away dated material without condemning it for being what […]

A radio interview with the person who wrote this sentence, on Gtown Radio: Part III

By Adam Lippe

Here is the third in a series of no doubt 4 million appearances (or maybe less) that I made on Ed Feldman’s Morning Feed. Originally the interview ran at an epic length, 3 and 1/2 hours. Now, after some judicious editing, it runs at a mini-epic length of 2 hours, but you’ll still get plenty […]

Surf II: The End of the Trilogy

By Adam Lippe

It may sound like a truly terrible idea, but I’ve based my entire life on lessons learned from the films of John Travolta. Watching Battlefield Earth, I gleaned that in order to control a planet of human beings; one must wear enormous platform shoes as well as repeatedly hit your head on low ceilings. This […]

Megaforce

By Adam Lippe

The initial financial failure of Disney’s Tron (directed by Steven Lisberger) was attributed to the enormous expectations based on the egregious expense of the project because of the complicated computer effects. Tron was simplistic story-wise, and the replication of the feel of a video game would become commonplace not long after its 1982 release. The […]

Reflections in a Golden Eye

By Adam Lippe

The alcohol lobby used to be much more powerful. Now they can only advertise at certain times on TV. Of course, with the stigma of drinking now attached to the notion that alcoholism is a disease; it’s certainly less glamorous to get publically plastered, and more likely to have you wake up on an episode […]

A podcast with Josh Shelov, the writer/director of The Best and the Brightest

By Adam Lippe

Here’s a podcast with Josh Shelov, the writer/director of The Best and the Brightest. While the film is screening in Philadelphia as you read this (that is, if you’re reading this as soon as I post it, so, that would just be me), it will open in a more traditional fashion in the next few […]

What?

By Adam Lippe

My theory has always been that Robert Altman fully developed his never-to-be-broken misanthropy while filming the conclusion of California Split. It was a spur of the moment decision on set, but who knows what Altman was going through personally at the time (he had a major problem with cocaine and alcohol)? George Segal and pal […]

Howl

By Adam Lippe

Recently I interviewed Noah Buschel, the director of The Missing Person, for a podcast on the various ways the independent film world works and how it has changed over the past ten years. Noah would know better than most about this subject, because he made three films in three different eras of independent films, always […]

A Podcast Q+A with Kelly McGillis, much awkwardness and bizarre fawning to follow

By Adam Lippe

Here is a podcast q+a with Kelly McGillis (Witness, Top Gun), recorded during Philadelphia’s QFest (Queerfest), as Ms. McGillis was being given the artistic achievement award. Normally, this isn’t the sort of q+a I’d upload, but the whole thing was so strange, I figured I should share. To give some context, Ms. McGillis was considered […]

Scott Pilgrim vs. the World

By Adam Lippe

Back in 1991, when Naked Lunch was released to theaters, famed critic Roger Ebert had a rather unique response to the film. While he admitted that David Cronenberg had done a terrific job adapting the feeling of the William H. Burroughs novel that the movie was based on (there’s no real way to actually adapt […]

Uwe Boll’s Heart of America

By Adam Lippe

Here’s the idea behind “A Canadian, an American,  and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, and Adam is a prick who hates everything. We all watch far too many movies, and spend our time analyzing them. So we each watch the same movie, write our […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.