Tag Archive

Predators

By Adam Lippe

After learning that I disliked his horror movie, a director at a film festival spent two days trying to confront me. I tried to be nice about it, complimenting the things I did enjoy such as the cinematography and how much he was able to get out of his obviously limited budget. He pestered me […]

Opening in theaters May 15th

By Adam Lippe

The best movie of last year, not released to US theaters, was Big Man Japan, a hilarious, moving, silly, deadpan, ridiculous mockumentary. Imagine if Christopher Guest made a movie about Godzilla, as if he were real, and you sort of get the idea, but it is a lot better than that description. Big Man Japan […]

Crying Freeman

By Adam Lippe

The fact that Brotherhood of the Wolf was such a huge success overseas and has an enormous cult following in the US (and did receive a surprisingly large push from Universal for a foreign film) has renewed interest in Christophe Gans’ first film, the adaptation of the anime/comic book of Crying Freeman. The film never […]

Visitor Q

By Adam Lippe

The difference between the Farrelly brothers movies and Visitor Q is the difference between the necessity involved in slapstick gross out humor and darker black humor. Gross out humor requires that the characters have no self awareness of their situation, if they know exactly what’s going on, if Ben Stiller knew he had cum on […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.