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How Do You Know

By Adam Lippe

A visual motif is supposed to be used to express a feeling that is never overtly expressed by the characters, revealing something about them that they’re unaware of or trying to hide. A perfect example is Tammy Metzler in the movie Election, and the use of garbage that she either hides behind or hangs out […]

Bruce Almighty

By Adam Lippe

It’s a good thing there’s no God, because if this is his way of speaking to us, the one thing you might cull from this 100 minutes, he’s a really lousy screenwriter. There are so many things wrong with this movie, that it’s easier to remember the good things, Steve Carrell from The Daily Show […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.