Tag Archive

The 5 minute feature film, volume 2: This World, Then the Fireworks

By Adam Lippe

Here is volume 2 of the 5 Minute Feature Film series, this time on Michael Oblowitz’s adaptation of Jim Thompson’s This World, Then the Fireworks. The 5 Minute Feature Film series is where I take a full length movie and cut it down to 5 minutes in length, re-score it, but tell basically the same […]

This World, Then the Fireworks

By Adam Lippe

When you watch a movie, is there always a giveaway about how intentional a level of incompetence is? What I mean is, at what point does the appearance of satire or parody drift off into the area of just plain old dreadful? Unless you were in the director’s brain while he was on set, there’s […]

Howl

By Adam Lippe

Recently I interviewed Noah Buschel, the director of The Missing Person, for a podcast on the various ways the independent film world works and how it has changed over the past ten years. Noah would know better than most about this subject, because he made three films in three different eras of independent films, always […]

Dogtooth

By Adam Lippe

If you could mold a robot in your own image, would you? The robot doesn’t have to look like you, but its opinions and emotions would entirely be filtered through your world view, excising any outside influence. It would have exaggerated versions of your fears and failures too, and while many people try to live […]

A Podcast Q&A with John C. Reilly, star of Magnolia, Chicago, Stepbrothers and the new film Cyrus

By Adam Lippe

Here’s a podcast q&a with the star of the Duplass brothers’ new film Cyrus, John C. Reilly. The interview was held after a Philadelphia screening of Cyrus. There’s nothing mindblowing about the questions, they cover the expected topics like working with Will Ferrell, Marisa Tomei, and the differences between playing comedy and playing drama. However, […]

Beeswax

By Adam Lippe

In Danny Boyle’s Trainspotting, his adaptation of Irvine Welsh’s notoriously impenetrable novel, there’s a scene where Johnny Lee Miller’s character, Sick Boy, is heartbroken over the death of his child. All of the other heroin addicts in the room are stunned, staring at the dead baby. Sick Boy screams at Ewan McGregor’s character, Mark Renton, […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.