Tag Archive

The Master

By Adam Lippe

One of comedian Pete Holmes’ best physical bits has him showing the audience how he likes to stand, with his arms at his sides and with his back arched as he juts his stomach out. “Everybody knows that this is the most comfortable way to stand. I want to stand like a pregnant woman stirring […]

A radio interview with the person who wrote this sentence, on Gtown Radio: Part III

By Adam Lippe

Here is the third in a series of no doubt 4 million appearances (or maybe less) that I made on Ed Feldman’s Morning Feed. Originally the interview ran at an epic length, 3 and 1/2 hours. Now, after some judicious editing, it runs at a mini-epic length of 2 hours, but you’ll still get plenty […]

Does your opinion matter? And since it doesn’t, will you like Hancock?

By Adam Lippe

As I’ve suggested in many of my reviews, Hollywood believes that the most important result from a film is a product – not necessarily entertainment, let alone art. Demonstrating this concept, a couple of recent films that were stripped down and spare to the point of absurdity, sometimes to their benefit, were The Incredible Hulk […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.