Tag Archive

The Adjustment Bureau/Unknown/The Eagle

By Adam Lippe

In 2004, there was a surprisingly competent thriller released to theaters. Unfortunately it had a title that was not all that memorable, The Forgotten, and it was amidst a glut of “my child is missing” films, one of which also starred Julianne Moore, Freedomland. It had a premise that sounded familiar, Moore remembers her child, […]

True Grit (2010)

By Adam Lippe

Atmosphere is everything to an experience. I remember going to A Tribe Called Quest concert when I was in college and, while the opening act was appropriate — middling, low-key rappers — the middle act was a hard rock band that looked and sounded somewhat like Living Colour (they of the early 90s hit Cult […]

A podcast with Jordan Brady, the director of I Am Comic: Part II

By Adam Lippe

Here is part II with Jordan Brady, stand-up comic, and director of the new documentary on stand-up, I Am Comic. While this podcast was recorded at the same time as part I (which you can find here) and it’s not required to listen to it to understand part II. You’ll probably be confused though, so […]

A podcast with Jordan Brady, the director of I Am Comic: Part I

By Adam Lippe

Though this may seem like a normal podcast for A Regrettable Moment of Sincerity, it’s actually unique for a few reasons. First, because the interview with I Am Comic director and stand-up comedian Jordan Brady went on for more than 3 hours, I’ve split it into two parts (part II is here). Second, because I’m […]

The Road

By Adam Lippe

During my interview with Shadow Billionaire director Alexis Spraic, she mentioned that she didn’t like the way that making documentaries had become a “competition about who can make the saddest film.” This line of thinking isn’t just limited to documentaries, indeed, many a fiction film falls into the trap of trying to bum out the […]

The Informant!

By Adam Lippe

Being intentionally campy is a slippery slope. There are generally two polar opposites that filmmakers aim for, with John Waters and his deliberately wretched acting and fecal excess on one side and Pedro Almodovar and his brightly colored wallpaper and screaming transvestites on the other. Well, maybe there’s not a huge difference, but in terms […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.