Tag Archive

Swimming to Cambodia

By Adam Lippe

I am not now, nor have I ever been a member of the slam poetry appreciation party. The speed with which you speak has nothing to do with the profundity. I do not know how a show like Russell Simmons’ Def Poetry Jam can garner seven seasons when the rhythms of each performer, regardless of […]

A radio interview with the person who wrote this sentence, on Gtown Radio: Part I

By Adam Lippe

This is my appearance with Ed Feldman on his show Morning Feed, on Gtown Radio, on May 19th, 2011. As of this writing, I’ve appeared 4 times, this being the first, and it runs just a shade under 2 hours. I was there to promote the Medium Rare Cinema screening of John Woo’s Bullet in […]

A podcast with Josh Shelov, the writer/director of The Best and the Brightest

By Adam Lippe

Here’s a podcast with Josh Shelov, the writer/director of The Best and the Brightest. While the film is screening in Philadelphia as you read this (that is, if you’re reading this as soon as I post it, so, that would just be me), it will open in a more traditional fashion in the next few […]

He Never Meta Film Reference He Didn’t Like: A Review of Cop Out

By Adam Lippe

The late, great film critic Pauline Kael wrote that “an homage is a plagiarism that your lawyer tells you is not actionable.” Where do you draw that line though? When does gentle chiding and affection turn into parody? Certainly a film like last year’s Black Dynamite made that difficult to determine; because, while it tried […]

The Road

By Adam Lippe

During my interview with Shadow Billionaire director Alexis Spraic, she mentioned that she didn’t like the way that making documentaries had become a “competition about who can make the saddest film.” This line of thinking isn’t just limited to documentaries, indeed, many a fiction film falls into the trap of trying to bum out the […]

Reds

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.