Tag Archive

Tightrope

By Adam Lippe

There’s nothing more menacing than a serial killer into S&M who completes the picture by wearing a stolen pair of Mr. Rogers’ sneakers*. Ok, maybe I’m just making up that last part. There’s no reason to think he stole the shoes, Mr. Rogers might have lent them out to him. Anyway, 1984’s tawdry Tightrope, a […]

Shrivel Me Timber; Erotic Thrillers Vol. 1: Traces of Red

By Adam Lippe

If the idea of seeing Jim Belushi as a sex symbol isn’t appealing to you, then I don’t know what to say. Clearly Traces of Red is too good for you. As I detailed in the [Motor]Cycles of the Film Industry article, Hollywood does things in cycles. When the 1980’s teen sexploitation market dried up […]

I Want You

By Adam Lippe

Michael Winterbottom‘s I Want You is about a mute 14 year old in England who, with his curiously high end equipment despite the poverty he lives in, records couples making out, having sex, and other embarrassing and plot important situations. Rachel Weisz is the woman he falls in love with, she was also in love […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.