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Escape From the Bronx [aka Bronx Warriors 2]

By Adam Lippe

You always know who the villain of any movie is going to be once you see a scale model. This guy envisions some future with all sorts of newfangled property and technology and he’s obviously hired someone to build this tiny replica of what’s on his mind. Now I can see how an architect might […]

A podcast with Tim League, CEO of The Alamo Drafthouse, Fantastic Fest, and Drafthouse Films

By Adam Lippe

Here’s a podcast with Tim League, creator and CEO of The Alamo Drafthouse and Fantastic Fest. This was recorded around November 2010 and the interview was initiated because Tim and Alamo Drafthouse Films were putting out Chris Morris’ Four Lions as their first film. You can hear my interview with Chris Morris here. This very […]

The Lift

By Adam Lippe

Low budget filmmakers are told to use what they can get, writing their screenplays around what locations they can afford. Reservoir Dogs was made by a director (Quentin Tarantino) who knew he couldn’t afford to shoot a heist movie so he worked out a way to show everything but the heist. Sure, there’s a bit […]

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it […]

F For Fake

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

The Oxford Murders

By Adam Lippe

The money is no longer in America. It used to be that you weren’t considered a success until you made it in the US, so athletes, actors, and musicians from foreign countries have been trying to make their talents more accessible (read: dumbing down) whether it be by simplifying what made them great in the […]

A podcast with Nash Edgerton, director of The Square

By Adam Lippe

Australian stuntman Nash Edgerton made his first feature, The Square, back in 2008, but it was just released in the US.  The film is a twisty noir that takes place in a small, insular town, similar to Henrik Ruben Genz’s Terribly Happy (which also got a podcast dedicated to it).  I interviewed Edgerton along with […]

The Boondock Saints II: All Saints Day

By Adam Lippe

Is there any inherent pressure for a director when following up a failure, especially when you’ve made a sequel distributed by a studio that’s known for constantly releasing such fare? In the past few years, Sony has been putting out belated DTV sequels to the most random, unsuccessful movies in their back catalog; such as […]

A podcast with the creator and stars of The Boondock Saints II: All Saints Day, Troy Duffy, Sean Patrick Flannery, and Norman Reedus

By Adam Lippe

Here’s a nearly 30 minute interview I did with Troy Duffy, the director of The Boondock Saints and the upcoming The Boondock Saints II: All Saints Day (he was also the subject of the muckraking documentary Overnight). Also in attendance were Boondock stars Sean Patrick Flannery and Norman Reedus. Sean is very talkative, but Norman […]

The Informant!

By Adam Lippe

Being intentionally campy is a slippery slope. There are generally two polar opposites that filmmakers aim for, with John Waters and his deliberately wretched acting and fecal excess on one side and Pedro Almodovar and his brightly colored wallpaper and screaming transvestites on the other. Well, maybe there’s not a huge difference, but in terms […]

Whiteout

By Adam Lippe

Do you ever wonder what goes on during meetings about theatrical release dates for movies? Well, I know you don’t, but just whose idea was it to open the violent 3 hour exploitation pastiche/parody Grindhouse on Easter weekend? “We have an opening in April; do we have anything to fill it?” “Which weekend?” “Easter.” “Hmmm. […]

Inglourious Basterds Podcast, with special guest Benji

By Adam Lippe

Below you’ll find a podcast about Quentin Tarantino’s  Inglourious Basterds, which I conducted with the famed star of 30 years worth of films, Benji. You can read a review of the film here. Click the play icon to listen to the podcast. Or you can download the podcast here. (Right-click, Save Link As…)

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.