Tag Archive

Open House

By Adam Lippe

There’s a famous poem by Robert Frost that says, and I paraphrase, “two roads diverged, both selling out in their own way, one to Hollywood, and one to direct-to-video erotic thrillers.” Frost wrote this poem after watching Open House, a low-budget slasher movie taking place amongst real estate agents, written by David Mickey Evans, who […]

I Love You, Man

By Adam Lippe

Good news. The mediocre movie is getting a lot better. Raising the forgettable bar without any effort is the second Paul Rudd high/no concept comedy in the last few months, I Love You, Man. With the Role Models DVD release piggybacking the I Love You, Man TV spot and the 2008 copyright date on ILY,M, […]

The Boost

By Adam Lippe

James Woods was the best American actor of the 1980’s. What made his performances so interesting were not just his intensity, vitality, and believability, but that he often did it with a sub-par script and/or direction. For every Salvador and Videodrome, there was Cop, True Believer, and Best Seller. This even extended to his 90’s […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.