Tag Archive

A radio interview with the person who wrote this sentence, Part IV: Comfort and Joy and Dream Lover

By Adam Lippe

Here is a podcast/radio interview from my appearance on Morning Feed with Ed Feldman from October of 2011, when I was promoting the Medium Rare Cinema screenings of Dream Lover and Comfort and Joy. Like my other appearances on Morning Feed, the topics are wide ranging starting with Harry Dean Stanton and Death Watch and concluding 2 […]

The 5 minute feature film, volume 2: This World, Then the Fireworks

By Adam Lippe

Here is volume 2 of the 5 Minute Feature Film series, this time on Michael Oblowitz’s adaptation of Jim Thompson’s This World, Then the Fireworks. The 5 Minute Feature Film series is where I take a full length movie and cut it down to 5 minutes in length, re-score it, but tell basically the same […]

A q+a with Fran Kranz, star of the new film The Cabin in the Woods

By Adam Lippe

Below is a q+a with actor Fran Kranz, who plays Marty, the resident stoner in the new meta-horror-comedy The Cabin in the Woods. It was recorded after a screening of the film on April 9th in Philadelphia. The Cabin in the Woods is the feature directing debut of Cloverfield writer Drew Goddard. It was produced […]

The Brain

By Adam Lippe

In the history of fantastic bad ideas, none may seem as foolhardy as the fact that Ed Hunt, the director of the schlocky Canadian horror film The Brain, originally intended for the titular character, an alien from outer space encased in gelatinous goo who wants to use TV to brainwash the human race, the ability […]

Tatie Danielle

By Adam Lippe

There’s a wonderful scene in the inconsistent satire Kids in the Hall: Brain Candy where an older lady, Mrs. Hurdicure, looks back fondly on a memory where her family came to visit her for Christmas. Ignoring the reality of the situation, her family spends less than 5 minutes in her house, drops off the presents […]

Surf II: The End of the Trilogy

By Adam Lippe

It may sound like a truly terrible idea, but I’ve based my entire life on lessons learned from the films of John Travolta. Watching Battlefield Earth, I gleaned that in order to control a planet of human beings; one must wear enormous platform shoes as well as repeatedly hit your head on low ceilings. This […]

A podcast with Ann Louise Bardach, the screenwriter of Dennis Hopper’s Backtrack

By Adam Lippe

Here’s a podcast with Ann Louise Bardach, journalist for The New York Times, Newsweek, Slate, etc., and the screenwriter of Dennis Hopper’s Backtrack, the director’s cut of which I reviewed here. Now Backtrack was an incredibly troubled production, sitting on the shelf for two years before being dumped by its bankrupt distributor in a cut […]

Backtrack: Director’s Cut

By Adam Lippe

The imagery described by Hannibal Lecter (played by Anthony Hopkins) in Silence of the Lambs of Clarice Starling (played by Jodie Foster) where, as an orphaned young girl running away from the farm where she lives, carrying a baby lamb away from inevitable slaughter with her, is etched into society’s cultural mind as much as […]

Lisztomania

By Adam Lippe

There’s a famous story about how Paddy Chayefsky, screenwriter of Network, who had it in his contract that none of the dialogue that he wrote for Altered States could be changed. That presented a problem for any director brave enough to tackle the speech and science heavy material and still assert themselves on the set, […]

A podcast with Josh Shelov, the writer/director of The Best and the Brightest

By Adam Lippe

Here’s a podcast with Josh Shelov, the writer/director of The Best and the Brightest. While the film is screening in Philadelphia as you read this (that is, if you’re reading this as soon as I post it, so, that would just be me), it will open in a more traditional fashion in the next few […]

Scre4m [sensibly known as Scream 4]

By Adam Lippe

Charlie Kaufman’s screenplay for Confessions of a Dangerous Mind — his adaptation of Chuck Barris’ book about his dual professions of hosting The Gong Show and being an assassin for the CIA — is a lot different from the movie that the director, George Clooney, put together. Apparently, Kaufman was upset by the fact that […]

The Company Men

By Adam Lippe

The most dominant trend in recent big budget films has been trying to humanize the superhero, as if he/she was a real person with real problems (Watchmen, Hancock, My Super Ex-Girlfriend, etc.). Sometimes, as with Defendor and Kick-Ass, the characters don’t have superpowers and the joke is not just their ineptitude but the annoyances of […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.