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Tag Archive

Camille (1936)

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Life During Wartime

By Adam Lippe

If imitation is the sincerest form of flattery, and you imitate yourself, does that mean you’re flattering yourself too? Catherine Breillat, a director often accused of taking herself too seriously while trying to punish the audience, tried to pull off this self-flattery thing with her 2002 film Sex is Comedy, which mocked her infamous 2001 […]

Beeswax

By Adam Lippe

In Danny Boyle’s Trainspotting, his adaptation of Irvine Welsh’s notoriously impenetrable novel, there’s a scene where Johnny Lee Miller’s character, Sick Boy, is heartbroken over the death of his child. All of the other heroin addicts in the room are stunned, staring at the dead baby. Sick Boy screams at Ewan McGregor’s character, Mark Renton, […]

Dare

By Adam Lippe

A filmmaker given money to expand his own short film into a feature has quite a conundrum. Should he try to work with the same materials and simply stretch the concept thin? Should he add distracting subplots in order to pad the running time and simply leave the short as it is, footage intact, such […]

Sorority Row

By Adam Lippe

You know what might make an interesting frat house slasher movie? If they incorporated reverse gentrification instead of just the standard “rich bitches.” Imagine a sorority struggling to find funding, and as the economy dips further, so does the state of their house. They can’t afford a caretaker, they can’t even pay for clean water, […]

Humpday Review and Podcast

By Adam Lippe

Below you’ll find a review of Lynn Shelton’s Humpday, which accompanies the interview I conducted with her about the movie that you can read here. On top of that there’s a new feature on A Regrettable Moment of Sincerity, podcasts. In this particular podcast, I interview famed 13 year-old critic Jordan Walters regarding his thoughts […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.