Tag Archive

Burn! – Uncut

By Adam Lippe

If we’re to believe the point of view of the Dr. Mengele doppelganger in the recent revenge-on-the-Nazis thriller The Debt, then the SS believed that the reason the Jews were the perfect victims was because they were not going to fight back. Not that they weren’t strong people, but that they believed in self-preservation. To […]

F For Fake

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Bullet in the Head

By Adam Lippe

A filmmaker like Larry Clark puts a viewer in a tough spot. When watching a movie like Kids, Bully, or Wassup Rockers, are we to believe that Clark has perfectly portrayed the aimlessness and idiocy of bored, wayward teenagers in search of a good time? Or is Clark just lazy himself, and he simply hasn’t […]

I Come With the Rain

By Adam Lippe

It’s been said, by a much wiser man than I, that Charles Bronson looked like Mr. Potato Head. This was especially true in his later years in front of the camera, mailing it in while working with J. Lee Thompson and Michael Winner and Cannon Films in the 1980s on such sleazy and workmanlike films […]

A podcast with director Noah Buschel about the dangers of indie filmmaking: Part II

By Adam Lippe

“To get the movie made, sometimes you have to misrepresent it.” – Noah Buschel Here is part II with writer/director Noah Buschel, where we go into further detail about his struggles making independent films, especially with The 7th Floor, who co-produced The Missing Person. While part I (which you can listen to here) was a […]

A podcast with director Noah Buschel about the dangers of indie filmmaking: Part I

By Adam Lippe

Below you’ll find part I of a podcast I did with Noah Buschel, the director of The Missing Person, Neal Cassady, and Bringing Rain. This was a very candid discussion that went on for several hours, but you do not need to have seen his films to understand the talk. Mostly, this is a primer […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.