Tag Archive

The Unreliable Narrator

By Adam Lippe

My Best Fiend, director Werner Herzog’s documentary about his turbulent relationship with Klaus Kinski and the five films they made together, got me to thinking about what Kinski, dead long before the movie was made, would have had to say on the matter. Herzog got to make the movie his way, creating whatever message he […]

Chopper

By Adam Lippe

The filmed version of legendary Australian criminal Mark “Chopper” Read’s semi-autobiographical book, is, along with Fight Club, one of the best unreliable narrator movies ever made. Read’s “novels” are extremely popular in his native land, as they concern his own criminal history, although, apparently there is no way to tell the difference between what is […]

The Tenant

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is “Meatballs 4″, Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.