Tag Archive

The Missing Person

By Adam Lippe

It’s a shame that Hollywood is only interested in making origin films for the heroes of comic book films. Such is the case with the recent X-Men Origins: Wolverine. Frankly, the heroes tend to be dull. And so, while there are some aberrations—such as with Lexi Alexander’s campy, silly, and ridiculously entertaining and colorful Punisher: […]

Hollywood Air Force

By Adam Lippe

The late comedian Mitch Hedberg, in one of his more perceptive, addled observations, pointed out how multi-tasking is not solely a requirement of office work, but falls under Hollywood’s expectations as well: “As a comedian, I always get into situations where I’m auditioning for movies and sitcoms, you know? As a comedian, they want you […]

Five Minutes of Heaven

By Adam Lippe

Period pieces always create a lot of problems for filmmakers, from the costumes, make-up, style of speech, and an overall look of the actors. It gets worse when the movie takes place in an era that the audience might have lived through. But when directors get bogged down in these small details, they often lose […]

L’Enfer

By Adam Lippe

L’Enfer threatens to have a more interesting backstory than the film itself. Originally written by director Henri-Georges Clouzot (Diabolique) in 1964, Clouzot made several attempts to make the film, but always had problems with the structure, and needlessly elaborate fantasy sequences. Thirty years later, Clouzot’s widow sold the script to a producer, who offered it […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.