Tag Archive

A podcast with director Noah Buschel about the dangers of indie filmmaking: Part II

By Adam Lippe

“To get the movie made, sometimes you have to misrepresent it.” – Noah Buschel Here is part II with writer/director Noah Buschel, where we go into further detail about his struggles making independent films, especially with The 7th Floor, who co-produced The Missing Person. While part I (which you can listen to here) was a […]

Uwe Boll’s Heart of America

By Adam Lippe

Here’s the idea behind “A Canadian, an American,  and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, and Adam is a prick who hates everything. We all watch far too many movies, and spend our time analyzing them. So we each watch the same movie, write our […]

Death at a Funeral (2010)

By Adam Lippe

When I was in college, I had to write a paper trying to explain why certain films were box office successes. It was 1998, and I surmised that the top 50 films as of the year’s end (in other words, final grosses were certainly not in by that point) were almost all formula; Buddy-cop, remake, […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.