{"id":3254,"date":"2009-06-11T23:30:47","date_gmt":"2009-06-12T04:30:47","guid":{"rendered":"http:\/\/www.regrettablesincerity.com\/?p=3254"},"modified":"2011-11-09T20:25:18","modified_gmt":"2011-11-10T00:25:18","slug":"the-merry-gentleman","status":"publish","type":"post","link":"https:\/\/regrettablesincerity.com\/?p=3254","title":{"rendered":"The Merry Gentleman"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3256\" title=\"keatonmacdonaldchurch\" src=\"http:\/\/www.regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/keatonmacdonaldchurch-300x200.jpg\" alt=\"keatonmacdonaldchurch\" width=\"300\" height=\"200\" srcset=\"https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/keatonmacdonaldchurch-300x200.jpg 300w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/keatonmacdonaldchurch.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>In the pantheon of films about depressed hitmen either on their last job or on the verge of suicide, <em>The Merry Gentleman <\/em>stands tall, in the middle of the pack. Not as insightful, moving, nor funny as the William H. Macy starring <em>Panic*<\/em> or as wonderfully awful as Nicholas Cage\u2019s foray in the remake of <em>Bangkok Dangerous<\/em>, Michael Keaton\u2019s <em>The Merry Gentleman<\/em> is never exciting or moving or even moderately diverting.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3255\" title=\"The Merry Gentleman\" src=\"http:\/\/www.regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/the_merry_gentleman_004-300x199.jpg\" alt=\"The Merry Gentleman\" width=\"300\" height=\"199\" srcset=\"https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/the_merry_gentleman_004-300x199.jpg 300w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/the_merry_gentleman_004-900x598.jpg 900w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/the_merry_gentleman_004.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Originally, writer Ron Lazzerati was set to direct <em>The Merry Gentleman<\/em>, but he had to drop out because of appendicitis, and Keaton took over. Perhaps as compensation, Keaton spends the entire movie in visible agony, his facial muscles struggling to provide a reaction. This makes sense given the context of the cold, disconnected contract killer, but there are no characters who do reveal more than the basics, just the standard alcoholic cop who is supposed to be the sad-sack who solves the crime while alienating the girl (and should have been played by Joe Mantegna instead of the Chris Penn-ish Tom Bastounes), but really just provides a conduit for exposition, as little as there is. The girl, and despite being a woman in her early 30\u2019s, a girl is what she is, is another in a long line of innocent, na\u00efve victims, with no shading or reason to be except as the center of the movie, being pursued for her purity from all sides. Kelly Macdonald, as the girl, represents total inertia, she never does anything, things happen to her and she smiles politely, unaware of the dangers around her. Only one scene, where she is approached by a man from her past, has any tension, and that\u2019s simply because there\u2019s no way to tell if he\u2019s sincere about being a born again Christian, or if his self-righteousness is a ploy and he intends to kill her. Or maybe he\u2019s a born again who wants to kill her.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3257\" title=\"merrygentleman\" src=\"http:\/\/www.regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/merrygentleman-300x185.jpg\" alt=\"merrygentleman\" width=\"300\" height=\"185\" srcset=\"https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/merrygentleman-300x185.jpg 300w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/06\/merrygentleman.jpg 491w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Keaton\u2019s job appears to be to perform his killing assignment and then chicken out on his suicidal intentions. So when he becomes Macdonald\u2019s protector, you\u2019d think it would develop either sexually or platonically. But all the screenplay has on its mind is to turn it into a Little Red Riding Hood situation (he even buys her a bright red coat), until the inevitable reveal of his profession. While we are shown through montage that they bond, we don\u2019t know why, he doesn\u2019t talk and she\u2019s skittish and intellectually malnourished. We learn that she\u2019s a churchgoer and she likes the idea of Christmas, and that\u2019s it. Her one instance of spontaneity, when she brings Keaton some snacks while he\u2019s in the hospital, and says \u201cNurses love rum balls\u2026 I don\u2019t know what that means,\u201d hints at the possible direction <em>The Merry Gentleman <\/em>could have taken if everything weren\u2019t played so gloomy and solemn. Keaton has opportunities, but the conclusion, which he may think is open-ended, is simply unfinished. His confusion in establishing a consistent tone is undermined by the needy score, which implies a level of playfulness and uplift totally missing from the movie not to mention how much it sounds like the very specific style of Thomas Newman (who was responsible for the scores for <em>The Shawshank Redemption <\/em>and <em>American Beauty<\/em>). <em>The Merry Gentleman<\/em> plays like an undeveloped blueprint for an intimate thriller, maybe Keaton didn\u2019t have time to turn things around. It is a slow film, which could work, if it eventually became intriguing, but all we get is a showcase for annoying people who would have nothing in their lives, if they weren\u2019t already in a movie.<\/p>\n<p>* Jason Priestley\u2019s dopey hitman in <em>Coldblooded <\/em>also fits the mold, and despite some obvious story turns, it is an unfortunately ignored movie, with one of the great black comedy conclusions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the pantheon of films about depressed hitmen either on their last job or on the verge of suicide, The Merry Gentleman stands tall, in the middle of the pack. Not as insightful, moving, nor funny as the William H. Macy starring Panic* or as wonderfully awful as Nicholas Cage\u2019s foray in the remake of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,14],"tags":[5188,4367,4383,4382,3041,107,4380,4370,622,4373,4360,2352,4365,4375,2805,2476,2545,4601,4355,4374,4362,4359,4357,4363,4354,4599,4603,4600,2334,2183,91,4379,4372,4358,4377,1667,4364,310,4366,5189,4356,4371,3434,4378,4381,2872,4369,1638,4368,4361,781,4602,4376,3624],"_links":{"self":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts\/3254"}],"collection":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3254"}],"version-history":[{"count":0,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts\/3254\/revisions"}],"wp:attachment":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}