{"id":3715,"date":"2009-07-30T00:00:07","date_gmt":"2009-07-30T05:00:07","guid":{"rendered":"http:\/\/www.regrettablesincerity.com\/?p=3715"},"modified":"2011-11-09T20:31:59","modified_gmt":"2011-11-10T00:31:59","slug":"funny-people","status":"publish","type":"post","link":"https:\/\/regrettablesincerity.com\/?p=3715","title":{"rendered":"Funny People"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3717\" title=\"funnypeoplw1\" src=\"http:\/\/www.regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeoplw1-300x199.jpg\" alt=\"funnypeoplw1\" width=\"300\" height=\"199\" srcset=\"https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeoplw1-300x199.jpg 300w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeoplw1.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Last year\u2019s biggest hit, <em><a href=\"http:\/\/www.regrettablesincerity.com\/?p=376\"><span style=\"color: #ff0000;\">The Dark Knight<\/span><\/a>,<\/em> proved a lot of things\u2014about the strength of the franchise, about the positive financial advantages a movie has with a deceased star being the lead* (see: <em>The Crow<\/em>), and that you can change actors from film to film, such as with the part of Rachel Dawes, played by Katie Holmes in <em>Batman Begins<\/em> and swapped out for Maggie Gyllenhaal in <em>The Dark Knight<\/em>, and even if the character is rather important to the story, no one will much care. Most importantly, it proved that to the paying audience, you can never have <em>too<\/em> much movie, as <em>The Dark Knight <\/em>runs over 2 \u00bd hours. There\u2019s nothing wrong with indulging a master technician like Christopher Nolan, and <em>The Dark Knight <\/em>has a thrilling conclusion, which unfortunately occurs at the 90 minute mark. We still have an hour of Aaron Eckhart brooding as Harvey \u201cBacon Face\u201d Dent to go, a subplot which really should have had its own movie.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3720\" title=\"funnypeople6\" src=\"http:\/\/www.regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeople6-300x199.jpg\" alt=\"funnypeople6\" width=\"300\" height=\"199\" srcset=\"https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeople6-300x199.jpg 300w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeople6.jpg 635w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Judd Apatow, on the other hand, is not a master technician. But as long as his films make money, Universal, who also distributed Apatow\u2019s other directing projects, <em>The 40 Year-Old Virgin<\/em> and <em>Knocked Up<\/em>, will indulge his need to overstuff his movies with endless improvisation. <em>The 40 Year-Old Virgin<\/em> <span style=\"text-decoration: underline;\">really<\/span> suffered from slack pacing, for every germane scene, there was a random bit that could have easily been left out, making it more of a stop-start movie with an obvious trajectory weighing it down. The cut released on DVD was 20 minutes longer than the theatrical cut (which was just under 2 hours) and it didn\u2019t remedy anything. The bloating of the movie just gave you an excuse to hit the pause button to get a snack, since its lack of consistency meant it never required rapt attention. With <em>Knocked Up<\/em>, Apatow had the sense to combine the humor with a streamlined story that needed the ups and downs, as opposed to <em>The 40 Year-Old Virgin, <\/em>which is just a nagging wait for Steve Carrell to finally relax enough to have sex with Catherine Keener, without even any pretended suspense. <em>Knocked Up <\/em>is equal parts charming and funny, with the actors properly filling in what may not have been on the page, but Apatow cutting down the bits that would normally look like extraneous clowning around.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3716\" title=\"funny-people-0\" src=\"http:\/\/www.regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funny-people-0-300x184.jpg\" alt=\"funny-people-0\" width=\"300\" height=\"184\" srcset=\"https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funny-people-0-300x184.jpg 300w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funny-people-0.jpg 814w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><em>Funny People<\/em>, on the other hand, falls into <em>The Dark Knight<\/em> category of just pure overkill and exhaustion. Apatow starts with footage of the real Adam Sandler making prank phone calls and segues into an older, depressed Sandler, basically playing himself but named George Simmons, a shallow, lonely, lowbrow comedy star, who is on his way to the doctor\u2019s office where he is to be told he\u2019s dying of cancer and he\u2019ll have to try experimental medicine if he wants to survive. His reaction is go back to his roots, stand-up comedy, and express his loneliness and anger on the stage. And he hires Seth Rogen, who plays a sensitive, unsuccessful comic who writes jokes for Sandler. Their relationship is plenty for a comedy (\u201cyour job is to not cry\u201d), but Apatow throws in another subplot that takes over the movie. George pines for his former flame (Laura, played by Apatow\u2019s wife, Leslie Mann, surprisingly unshrill) and we get nearly an hour detour to Laura\u2019s house, kids, unhappy marriage, and a reliving of all the selfish things that George did to Laura to cause her to leave. The new husband, Clarke (a rather poorly written role, played by former <em>Hulk<\/em> and stand-up comic Eric Bana), is a perpetual cheater and his contrived scenes of bonding and fighting with George drown the last act of the movie. Clarke doesn\u2019t even show up until the 2 hour mark as if to underline the point that he\u2019s unnecessary. Theoretically, he could have had his own movie, as Eckhart did, but he\u2019s not nearly interesting or funny enough.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3718\" title=\"funnypeoplepic5\" src=\"http:\/\/www.regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeoplepic5-300x199.jpg\" alt=\"funnypeoplepic5\" width=\"300\" height=\"199\" srcset=\"https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeoplepic5-300x199.jpg 300w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funnypeoplepic5.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>What <em>is<\/em> funny in <em>Funny People <\/em>is all the material dealing with stand-up comedy and Ira\u2019s roommates Leo (played by Jonah Hill) and Mark (played by Jason Schwartzman) as a slightly more successful stand-up comic and a pandering sitcom star, respectively. Though it doesn\u2019t make a lot of sense that Mark would have roommates, especially as he keeps flashing his enormous paychecks in front of Ira, their scenes are amusing because of Schwartzman\u2019s expertise at playing smarmy. Sandler doesn\u2019t do all that much with George, except mug and yell, but he\u2019s a useful conduit for Apatow to justify all of the cameos from famous comics that he throws into the middle of the movie (boy, does Paul Reiser now look <em>exactly<\/em> like Colin Quinn) that are a nice distraction, if little else. Ira\u2019s romance with a nerdy female comic, Daisy, gets short shrift, especially because Apatow\u2019s plot structure leaves her off-screen for almost all of Act II and III. When she shows up again near the end, you almost have to remind yourself who she is.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3719\" title=\"funny_people13\" src=\"http:\/\/www.regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funny_people13-300x199.jpg\" alt=\"funny_people13\" width=\"300\" height=\"199\" srcset=\"https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funny_people13-300x199.jpg 300w, https:\/\/regrettablesincerity.com\/wp-content\/uploads\/2009\/07\/funny_people13.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>If there\u2019s an advantage to all the improv, it is that the stand-up sequences have an unpolished feel to them, with Rogen especially nailing down how his insecurities off-stage expose themselves in the guise of endless masturbation and dick jokes on stage, obviously revealing the limitations of his skills as a comic. Aziz Ansari shows up as a Dane Cookish comedian named Randy, and he\u2019s brilliant (there\u2019s a ton of footage missing from the movie that was in the recent Comedy Central <em>Funny People <\/em>promotional special showing how far Anzari was willing to go with his character). He\u2019s even funnier than his <em>real <\/em>stand-up, though that clearly informed his portrayal of a comic who\u2019s energetically empty humor could only be funny to a hundred drunks with short attention spans at a nightclub. It makes you wonder why Apatow chose to make <em>Funny People <\/em>about Sandler, his real-life former roommate, who\u2019s just an unsympathetic jerk turned into a mopey child, instead of Randy, the perfect clueless narcissist.<\/p>\n<p>* This is a little bit unfair because Heath Ledger\u2019s performance as The Joker is actually quite exceptional, but his posthumous awards will always look like suck-ups to the dead, as opposed to deserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last year\u2019s biggest hit, The Dark Knight, proved a lot of things\u2014about the strength of the franchise, about the positive financial advantages a movie has with a deceased star being the lead* (see: The Crow), and that you can change actors from film to film, such as with the part of Rachel Dawes, played by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,12],"tags":[109,5188,265,790,252,4974,1060,4983,1199,1980,722,4970,4990,58,4547,4987,117,106,4978,4977,44,2981,253,3050,1104,2084,1421,1071,7032,4980,2672,114,125,4988,2969,4989,3046,1826,4971,2214,30,4985,627,4969,4975,4386,4600,4973,4981,4991,2776,2686,310,4979,5189,1356,1035,4982,276,3275,28,1225,4986,4972,323,1901,631,320,721,4976,4984,1998,2205],"_links":{"self":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts\/3715"}],"collection":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3715"}],"version-history":[{"count":0,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts\/3715\/revisions"}],"wp:attachment":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}