{"id":3998,"date":"2009-08-25T13:03:16","date_gmt":"2009-08-25T18:03:16","guid":{"rendered":"http:\/\/www.regrettablesincerity.com\/?p=3998"},"modified":"2009-08-26T00:13:07","modified_gmt":"2009-08-26T05:13:07","slug":"silent-running","status":"publish","type":"post","link":"https:\/\/regrettablesincerity.com\/?p=3998","title":{"rendered":"Silent Running"},"content":{"rendered":"

\"vlcsnap-2009-08-25-13h52m44s214\"<\/a>One of the oddest combinations of producer and director in the history of Hollywood occurred on Paul Schrader\u2019s American Gigolo<\/em>, with Richard Gere as a moody, shallow gigolo. It contains Schrader\u2019s (writer of Taxi Driver<\/em>, director of Mishima, Hardcore,<\/em> and Auto Focus<\/em>) usual themes of guilt and introspection. American Gigolo<\/em> was produced by Jerry Bruckheimer, whose films include Top Gun<\/em>, Armageddon, <\/em>Beverly Hills<\/em> Cop<\/em>, and the Pirates of the Caribbean <\/em>series, and his contribution to American Gigolo<\/em> which consisted of the addition of a wholly unnecessary murder subplot. The resulting clash resulted in American Gigolo<\/em> playing like a brooding drama, but you know, with Venetian blinds and a synth-pop score.<\/p>\n

\"vlcsnap-2009-08-25-13h51m54s181\"<\/a>Douglas Trumbull\u2019s Silent Running<\/em> has a similarly strange group of above-the-line talent. Mic<\/span>h<\/span>ael Cimino<\/span><\/a> (director of The Deer Hunter, Heaven\u2019s Gate, Thunderbolt and Lightfoot, <\/em>and Year of the Dragon<\/em><\/span><\/a>) and Steven Bochco (writer\/producer\/creator of L.A. Law, Doogie Howser, NYPD Blue, <\/em>and Hill Street Blues<\/em>) are two of the three credited writers, and Trumbull\u2019s own work which included the special effects on 2001<\/em> and later on creating the Back to the Future: The Ride <\/em>type of interactive movie\/amusement ride make Silent Running <\/em>play like three sides of a circle. That notable over-the-top villain Bruce Dern is the lead and on-screen as the only human character for nearly \u00be of the film, adds another layer of tonal imbalance. All four parties try to wrest thematic control throughout Silent Running<\/em>, but it appears that Trumbull was the winner, and not just for the heavy focus on detailed miniatures and special effects (dated now, state-of-the-art in 1971).<\/p>\n

\"vlcsnap-2009-08-25-13h52m49s3\"<\/a>Cimino and Bochco may have envisioned Silent Running<\/em> as a humanistic parable about ego gone wild (a fusing of their general dramatic interests), where Bruce Dern plays a member of an outer space team, ordered to destroy their remaining man-made forestry and make their way back to earth for re-colonization, the implication being that pollution has ruined it previously. But Trumbull turns the entire movie into a plea for environmentalism (Earth Day in Space), by excusing Dern\u2019s murder of his thoughtless and shallow crew members as a necessary evil, without ever making it clear what Dern plans to do with his newly jettisoned spaceship\/forest, other than float into oblivion. Maybe it\u2019s a hint that activists should have a full plan of attack before engaging in nefarious deeds, but that gives more credit to Trumbull for organization than he deserves, and he hasn\u2019t heeded his own warning anyway.<\/p>\n

\"vlcsnap-2009-08-25-13h51m40s20\"<\/a>Really, Dern is just a pacifist hippie murderer in space, dressed like a monk, and spending his time interacting with the rather expressive robots on board (the robots are by far the best part of the film, if only for their reactions to Dern, nodding never went so far). While there\u2019s the suggestion that the crew members are bored and detached, Silent Running<\/em> never really addresses it, not even in the comedic fashion that John Carpenter\u2019s Dark Star<\/em> really explores how hippies might deal with the dull everyday routine of futuristic space travel. Trumbull caps his intentions by throwing in mournful, screeching Joan Baez songs to cover up the deadness of the material in the final two acts (the songs may be on the conservationist theme of the film, but they are just off-putting).<\/p>\n

\"vlcsnap-2009-08-25-13h52m36s128\"<\/a>It isn\u2019t as if a solo act in space is impossible, Sam Rockwell did it to perfection earlier this year in Moon<\/em><\/span><\/a>, which was clearly influenced by Silent Running<\/em>. But Dern\u2019s character, Freeman Lowell, is a bore, and whatever we\u2019re given to understand him and explain his mindset in the first few minutes of the movie, is supposed to carry us for the remaining 85 minutes. Dern plays Lowell as if famed painter and verbal hypnotist Bob Ross had a homicidal impulse if anyone tried to steal his canvas.<\/p>\n

\"Bruce<\/a>

Bruce Dern is sad. He thinks you don't care about the environment. He thinks you should dress up like a Native American and stand by the side of the road and cry while people throw garbage out their car windows at you. However, he is not willing to spot you any money for the costume. <\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

One of the oddest combinations of producer and director in the history of Hollywood occurred on Paul Schrader\u2019s American Gigolo, with Richard Gere as a moody, shallow gigolo. It contains Schrader\u2019s (writer of Taxi Driver, director of Mishima, Hardcore, and Auto Focus) usual themes of guilt and introspection. American Gigolo was produced by Jerry Bruckheimer, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,14],"tags":[821,5188,5216,5197,1045,5196,3334,5187,2723,5211,4646,2395,5183,5214,4774,5206,1971,5200,5192,4764,5202,5184,5210,4019,2766,5217,5195,5190,5213,4081,905,1057,5212,242,5191,5201,966,1229,5209,5194,5207,4600,5205,4630,5193,2362,4098,5215,5204,5189,314,232,2397,5186,5185,5208,822,5203,5198,2381,1731,1247,441,1973,1376,5199,1243],"_links":{"self":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts\/3998"}],"collection":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3998"}],"version-history":[{"count":0,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts\/3998\/revisions"}],"wp:attachment":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}