{"id":6220,"date":"2011-01-27T21:02:49","date_gmt":"2011-01-28T01:02:49","guid":{"rendered":"http:\/\/www.regrettablesincerity.com\/?p=6220"},"modified":"2011-01-27T22:46:57","modified_gmt":"2011-01-28T02:46:57","slug":"the-mechanic-2011","status":"publish","type":"post","link":"https:\/\/regrettablesincerity.com\/?p=6220","title":{"rendered":"The Mechanic (2011)"},"content":{"rendered":"

\"\"<\/a>Oh straight-faced stupidity, how I adore thee! While you\u2019ve recently taken a hit with the advent of ironic violence and such confused projects as The Green Hornet<\/em> which can\u2019t decide if it means business or is only kidding (how about a 9 minute fight between our heroes that\u2019s preoccupied primarily with property destruction), I sense that you will eventually have a real and profound comeback. Regardless, you will always have a place in my heart.<\/p>\n

Now while some may point to your heyday as some of the lower-wattage films of Arnold Schwarzenegger (Commando, Eraser, Raw Deal<\/em>) or the entire output of writer Shane Black (The Long Kiss Goodnight, The Last Boy Scout, Lethal Weapon<\/em>), the self-awareness of these projects digs at their pure enthusiastic pleasure.<\/p>\n

\"\"<\/a>Your real king is director Michael Winner, who poured his patented gentlemanly sleaze into projects as varied and unpleasant as Death Wish II, The Wicked Lady, The Sentinel,<\/em> etc. While Winner was primarily known for the first Death Wish<\/em>, and for his six films with star Charles Bronson, his true gift to cinema and you, straight-faced stupidity, was Death Wish 3<\/em>. Aside from its politically correct multi-racial gangs, its cast of elder statesman more suited to an episode of The Love Boat<\/em> (Martin Balsam, Ed Lauter), its poorly faked \u201cBronx projects\u201d sets, Death Wish 3 <\/em>should be lauded for its willingness to engage in the ridiculous without calling attention to it. Yes, Charles Bronson, aged 64 at the time, firing a missile at a large group of rapists and punks is absurd, but nothing is more idiotic than a scene with the Oscar winning actor Martin Balsam attempting to mow down a group of malcontents with an automatic machine gun, complete with an enormous belt. The punks spot the gun and begin running away as we hear off-screen, \u201che\u2019s got a gun!\u201d When the gun jams just a moment later, the off-screen cry we hear is \u201cit\u2019s not working!\u201d and everyone comes running back to attack Balsam.<\/p>\n

\"\"<\/a>There is nothing even remotely that entertaining in Michael Winner\u2019s 1972 film The Mechanic<\/em>, which has an ambitious opening (no dialogue for the first fifteen minutes) but then settles into a standard \u201cexperienced hit man training his younger, impatient replacement\u201d story that\u2019s been done a hundred times before and since (the best recent examples would be Leon<\/em> and Coldblooded<\/em>). The Mechanic <\/em>is a pretty mild film, especially for Winner, not memorable for anything stars Bronson and Jan-Michael Vincent provide (as pro and rookie hitmen, respectively); except for an ending that takes chances, at least for the genre.<\/p>\n

That\u2019s why it was a wonder that Simon West\u2019s The Mechanic <\/em>was being made at all. It\u2019s understandable that Jason Statham was hired to take over the Bronson part, since Statham has consistently brought a steely intensity to flagrant idiocy, especially the high water marks of Crank<\/em> and Transporter 2<\/em><\/span><\/a>. But since the original The Mechanic<\/em> wasn\u2019t outrageous or distinctive, and it\u2019s almost 40 years old, it\u2019s not likely that the intended audience would come see it based on name recognition.<\/p>\n

\"\"<\/a>Could we have another situation like Bad Lieutenant: Port of Call – New Orleans<\/em><\/span><\/a>, where a producer had the rights to a title and was going to slap it onto a vaguely similar film, just to make the deal? It\u2019s possible, because like BL:POCNO<\/em>, The Mechanic <\/em>was produced by Millennium Films and was shot in Louisiana, suggesting that Avi Lerner may have made a deal with an actor where The Mechanic<\/em> was the \u201cstar in this project and I\u2019ll put you in that movie.\u201d Could the other film have been The Expendables<\/em><\/span><\/a>, co-starring and Statham and produced by Lerner?<\/p>\n

It might explain the haphazard way that The Mechanic <\/em>has been put together, with villains who aren\u2019t nasty or smug enough (Tony Goldwyn<\/span><\/a>, who usually knows how to ramp up the smarm) and shoddy story construction with gads of exposition doled in sloppy ways, such as Statham reading a useful newspaper story that would have been impossible to write unless the reporter had been part of the terrorist group that was eliminated. It\u2019s also terminally underlit and has an ungainly color scheme that mostly focuses on eye-gouging oranges and browns.<\/p>\n

\"\"<\/a>The movie is, however*, extraordinarily entertaining in fits and starts. It\u2019s viciously violent with action sequences that send postcards of regards to over-the-top, arriving squarely in chutzpah nonsense land. There\u2019s a car + bus chase, a hotel gunfight, and a one-on-one fight between Ben Foster** (as the hit man in training) and a much, much larger foe, that are so blood-splattered and nasty, without winking***, that either applause or laughter are the only appropriate responses.<\/p>\n

But is The Mechanic <\/em>too mean to be enjoyed? No, because it\u2019s the only hitman movie I\u2019ve ever seen that has a \u201ctaking your puppy to a coffee shop\u201d montage. And its gay themes, while not all that progressive, but for an action movie of this type are certainly unique, especially the tension created by a character pondering over whether or not he should roofie his potential beau\u2019s drink. And though the movie does cop out at the end, following the original beat for beat, until someone got chicken and ordered an obvious re-shoot, there\u2019s something to be said for a movie that fulfills your expectations by properly rising to the level of straight-faced stupidity.<\/p>\n

\"\"<\/a>* The opening James Bondian action scene is passable, but ends in an ill-advised manner, with Statham doggy paddling behind a slowly moving boat. Doggy paddling \u2260 tough guy.<\/p>\n

** Foster does his requisite method brooding, including the brooding enjoyment of a cigarette, and, accompanied by an intense gaze, the brooding appreciation of ones self in the mirror.<\/p>\n

*** There\u2019s a very similar fight scene in 2004\u2019s version of The Punisher<\/em> between Thomas Jane and a giant Russian that is totally undermined by irony, and deflates the movie completely from then on.<\/p>\n","protected":false},"excerpt":{"rendered":"

Oh straight-faced stupidity, how I adore thee! While you\u2019ve recently taken a hit with the advent of ironic violence and such confused projects as The Green Hornet which can\u2019t decide if it means business or is only kidding (how about a 9 minute fight between our heroes that\u2019s preoccupied primarily with property destruction), I sense […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,14],"tags":[1890,7481,7488,247,6081,7482,1951,1010,1171,4375,7485,2567,677,1173,7490,7045,7479,1419,7489,1288,7486,1079,417,5,7493,1373,669,680,126,4421,2621,2460,7496,6915,7483,310,7487,246,28,7035,7495,7484,7317,3252,1936,7494,5941,7480,7492,7491,6947,1902,128,4376],"_links":{"self":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts\/6220"}],"collection":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6220"}],"version-history":[{"count":0,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=\/wp\/v2\/posts\/6220\/revisions"}],"wp:attachment":[{"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/regrettablesincerity.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}