Comedy

Numb

By Adam Lippe

A common occurrence in the current film market is troubled or interesting/challenging  productions with fairly well known stars going direct to DVD (Colin Hanks has three coming out within the next few months), when they used art house releases. The thinking is that most films are probably terrible, like the direct to video films of […]

Nick and Norah’s Infinite Playlist

By Adam Lippe

Remember that sub-plot in 200 Cigarettes where Kate Hudson gets dog poop all over her coat? Well Nick and Norah’s Infinite Playlist is that scene dragged out to a 90 minute length, but instead of the dog poop, we get the understudy, puke-and-feces-infested chewing gum that is shared between multiple characters. And much like 200 […]

Vicky Christina Barcelona

By Adam Lippe

B-movie legend Bruce Campbell said in his autobiography If Chins Could Kill, that he was more than happy to take a role in the expensive, dreadful, Michael Crichton adaptation Congo, because it meant he’d get a free [and well paid] trip to Africa. Watching Woody Allen’s new film Vicky Christina Barcelona, one might easily assume […]

Tropic Thunder

By Adam Lippe

The big budget Hollywood satire is more than just an oxymoron, it is simply bewildering. How could a $90 million movie, distributed by Dreamworks, a company co-founded by Steven Spielberg, and owned by Viacom, be hard on “the business?” The answer is, it can’t, and therefore Tropic Thunder is a very broad and obvious satire, […]

California Split

By Adam Lippe

Here’s the idea behind “A Canadian, an American, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, and Adam is a prick who hates everything. We all watch far too many movies, and spend our time analyzing them. So we each watch the same movie, write our […]

Does your opinion matter? And since it doesn’t, will you like Hancock?

By Adam Lippe

As I’ve suggested in many of my reviews, Hollywood believes that the most important result from a film is a product – not necessarily entertainment, let alone art. Demonstrating this concept, a couple of recent films that were stripped down and spare to the point of absurdity, sometimes to their benefit, were The Incredible Hulk […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.