Comedy

Dumb and Dumberer

By Adam Lippe

Now that I have just forsaken 82 minutes by a viewing of Dumb and Dumberer, I can say that not only was I wrong about sequels, I want them to make more. Please have movies that while they begin promisingly (in the first shot, the camera is moving out of Mimi Rogers’ vagina while she […]

Bruce Almighty

By Adam Lippe

It’s a good thing there’s no God, because if this is his way of speaking to us, the one thing you might cull from this 100 minutes, he’s a really lousy screenwriter. There are so many things wrong with this movie, that it’s easier to remember the good things, Steve Carrell from The Daily Show […]

Boat Trip

By Adam Lippe

The magical story of two heterosexual men who find themselves mistakenly aboard a homosexual cruise, it is certainly the best movie ever made which features Cuba Gooding Jr. spunking on another man’s face and Lin Shaye’s vagina literally steaming with pleasure, as well as her deep throating the handle of a bat.

American Wedding

By Adam Lippe

American Wedding is kind of an anti-achievement because it seems to insist that it’s much dumber than it should be. Since these movies are just sitcoms with vulgarity, there is little to be distracted by. The first film was guilty of stopping the movie dead in order to set up the gross out jokes, which […]

Scary Movie 3

By Adam Lippe

Scary Movie 3 was really, really short, and I have to say I’m glad about that. The version I saw ran 74 minutes without the end credits, but I was pretty sure that I’d had my fill of people hitting their head on objects and then while they’re recovering from that, being hit in the […]

Matchstick Men

By Adam Lippe

Decent showoffy performances, but not much of a movie around it. The final scene pays off more than it should, but honestly, I didn’t care that much. Nicolas Cage has more to work with than say Gone in Sixty Seconds, but a lot of this material shows up in other films all the time, from […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.