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On art and commerce: An audio interview with Fissure director Russ Pond

By Adam Lippe
russpond

Believe it or not, Russ is not Bruce Campbell.

Below you’ll find an interview with the director of Fissure, Russ Pond (the review can be read here), that I conducted recently. The interview is about 17 minutes long and I’ve broken it up into three parts. The first two parts discuss the movie itself, so if you want to avoid spoilers, I’d be cautious about listening to it. For those who just want to hear what Russ has to say about making a very low-budget independent genre movie and the business involved in that, you should listen to part three only.

Click the play icon to listen to Part I.

Or you can download the Part I here.
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Click the play icon to listen to Part II.

Or you can download the Part II here.
(Right-click, Save Link As…)

Click the play icon to listen to Part III.

Or you can download the Part III here.
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vlcsnap-2009-08-05-13h40m12s35

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.