Tag Archive

The Tree of Life

By Adam Lippe

Is there a significant difference between getting your money’s worth and getting too much? In terms of moviegoing, there’s two ways of dealing with that thought; Since you’ve paid, you have to get as much as you can out of the experience. Or, since you’ve paid, it’s your time and your money, and torturing yourself […]

Cohen and Tate

By Adam Lippe

The career of writer/director Eric Red fascinates for a number of reasons. But mostly because he melds the mystical and vague with utter incompetence. Red got his big break with his screenplay for The Hitcher, a combination of ridiculous 1980’s action, mysterious psychopath slasher film, open road spareness, and narrative incoherence mistaken for open-endedness, all […]

Kill Bill vol. 1 and 2

By Adam Lippe

Kill Bill is like Cinematic Doo Doo. And I don’t mean that in necessarily a negative way. Writer/Director Quentin Tarantino is taking all of the movies he digested as a teenager and shitting them all over the audience. Whether you choose to be a coprophiliac is up to you. Sometimes I was hungry, other times […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.