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The 5 minute feature film, volume 2: This World, Then the Fireworks

By Adam Lippe

Here is volume 2 of the 5 Minute Feature Film series, this time on Michael Oblowitz’s adaptation of Jim Thompson’s This World, Then the Fireworks. The 5 Minute Feature Film series is where I take a full length movie and cut it down to 5 minutes in length, re-score it, but tell basically the same […]

This World, Then the Fireworks

By Adam Lippe

When you watch a movie, is there always a giveaway about how intentional a level of incompetence is? What I mean is, at what point does the appearance of satire or parody drift off into the area of just plain old dreadful? Unless you were in the director’s brain while he was on set, there’s […]

A q+a with Fran Kranz, star of the new film The Cabin in the Woods

By Adam Lippe

Below is a q+a with actor Fran Kranz, who plays Marty, the resident stoner in the new meta-horror-comedy The Cabin in the Woods. It was recorded after a screening of the film on April 9th in Philadelphia. The Cabin in the Woods is the feature directing debut of Cloverfield writer Drew Goddard. It was produced […]

The 5 minute feature film, volume 1: Trespass

By Adam Lippe

As a companion piece to my analysis of Nicolas Cage’s current career, below is a visual summation of his 2011 movie Trespass, co-starring Nicole Kidman and Cam Gigandet. I’ve edited the entire thing down to just under 5 minutes, briefly glossing over important plot points (without major spoilers), yet you’ll still get the sense of […]

Nicolas Cage and the Temple of Contractual Obligation

By Adam Lippe

When my girlfriend and I moved to Columbus, Ohio, we did not have much time to find a place to live. We settled on a location that was converted from a post office to a building full of large lofts. The apartment was huge, but it had quite a few deficits. There were no lights […]

A podcast with Ann Louise Bardach, the screenwriter of Dennis Hopper’s Backtrack

By Adam Lippe

Here’s a podcast with Ann Louise Bardach, journalist for The New York Times, Newsweek, Slate, etc., and the screenwriter of Dennis Hopper’s Backtrack, the director’s cut of which I reviewed here. Now Backtrack was an incredibly troubled production, sitting on the shelf for two years before being dumped by its bankrupt distributor in a cut […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.