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A radio interview with the person who wrote this sentence, Part IV: Comfort and Joy and Dream Lover

By Adam Lippe

Here is a podcast/radio interview from my appearance on Morning Feed with Ed Feldman from October of 2011, when I was promoting the Medium Rare Cinema screenings of Dream Lover and Comfort and Joy. Like my other appearances on Morning Feed, the topics are wide ranging starting with Harry Dean Stanton and Death Watch and concluding 2 […]

A Man in Love (with bonus clip)

By Adam Lippe

It’s quite a bold move to try to explore mediocrity. Most of us never rise above it anyway. But if you have talent and you use it to look at those who can’t get past the middle, it can be seen as condescending and/or gloating. That’s why the context of mediocrity is so important; when […]

Manhattan, with bonus musical slideshow

By Adam Lippe

Though it might have been his open plea to loosen monogamy’s grip on society, sex columnist Dan Savage’s veritable mantra that “all relationships end, except the one that doesn’t,” is oddly logical. At first it seems callous and cynical, relying on the notion that we all die alone, but, apart from ignoring the notion of […]

Looking for Mr. Goodbar, with bonus musical slideshow

By Adam Lippe

It was then. That doesn’t make it right. But that doesn’t make it different either.” – Comedian Greg Proops on why racist behavior in old movies shouldn’t be excused, but it shouldn’t make them worthless either.   The above quote is a canny way to explain away dated material without condemning it for being what […]

A podcast with Ann Louise Bardach, the screenwriter of Dennis Hopper’s Backtrack

By Adam Lippe

Here’s a podcast with Ann Louise Bardach, journalist for The New York Times, Newsweek, Slate, etc., and the screenwriter of Dennis Hopper’s Backtrack, the director’s cut of which I reviewed here. Now Backtrack was an incredibly troubled production, sitting on the shelf for two years before being dumped by its bankrupt distributor in a cut […]

Backtrack: Director’s Cut

By Adam Lippe

The imagery described by Hannibal Lecter (played by Anthony Hopkins) in Silence of the Lambs of Clarice Starling (played by Jodie Foster) where, as an orphaned young girl running away from the farm where she lives, carrying a baby lamb away from inevitable slaughter with her, is etched into society’s cultural mind as much as […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.