Tag Archive

The Marc Pease Experience

By Adam Lippe

The best examples of movies that use product placement as plot points are Tsui Hark’s Double Team which amongst other things, has our heroes hide behind a Coke machine, protecting them from certain death and Alexander Payne’s Election, where Matthew Broderick, because he is staring at a can of Pepsi, is able to deduce that […]

The Boost

By Adam Lippe

James Woods was the best American actor of the 1980’s. What made his performances so interesting were not just his intensity, vitality, and believability, but that he often did it with a sub-par script and/or direction. For every Salvador and Videodrome, there was Cop, True Believer, and Best Seller. This even extended to his 90’s […]

Margaret

By Adam Lippe

One of the downsides of the disintegration of the theatrical release of independent films and the dissolving of  the indie arms of major studios, such as Picturehouse and Warner Independent, and the shutting down of daring studios like New Line is that the low-mid-budget films have no shot in the market. The reason for that […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.