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Drive Angry/Faster/My Soul to Take/I Spit on Your Grave (2010)

By Adam Lippe

When will disreputable nihilism become boring? Hopefully never. But there comes a point where self-satisfied nastiness taken to an extreme needs a little bit of flavor to distinguish itself. Patrick Lussier’s Drive Angry tries to spice things up with its effective use of 3D and by cobbling together as many exploitation clichés as possible: the […]

A podcast with director Noah Buschel about the dangers of indie filmmaking: Part II

By Adam Lippe

“To get the movie made, sometimes you have to misrepresent it.” – Noah Buschel Here is part II with writer/director Noah Buschel, where we go into further detail about his struggles making independent films, especially with The 7th Floor, who co-produced The Missing Person. While part I (which you can listen to here) was a […]

A podcast with director Noah Buschel about the dangers of indie filmmaking: Part I

By Adam Lippe

Below you’ll find part I of a podcast I did with Noah Buschel, the director of The Missing Person, Neal Cassady, and Bringing Rain. This was a very candid discussion that went on for several hours, but you do not need to have seen his films to understand the talk. Mostly, this is a primer […]

Bad Lieutenant: Port of Call New Orleans

By Adam Lippe

For a long time, the cheapest place to shoot a movie was in Canada, often in Vancouver. Virtually every movie that was supposed to take place in New York City would be comprised of a few aerial shots of Manhattan and then any external scenes would be shot in close enough where you couldn’t identify […]

The Missing Person

By Adam Lippe

It’s a shame that Hollywood is only interested in making origin films for the heroes of comic book films. Such is the case with the recent X-Men Origins: Wolverine. Frankly, the heroes tend to be dull. And so, while there are some aberrations—such as with Lexi Alexander’s campy, silly, and ridiculously entertaining and colorful Punisher: […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.