Tag Archive

The Marc Pease Experience

By Adam Lippe

The best examples of movies that use product placement as plot points are Tsui Hark’s Double Team which amongst other things, has our heroes hide behind a Coke machine, protecting them from certain death and Alexander Payne’s Election, where Matthew Broderick, because he is staring at a can of Pepsi, is able to deduce that […]

Cool Blue

By Adam Lippe

It used to take a lot of effort for a star vehicle to go straight to video, especially during the late 1980’s, at the height of VHS’s popularity. Cool Blue probably seemed like an ideal low-budget project for Woody Harrelson, where he could stretch by playing the struggling artist, but also cater to his fans […]

Bad Boys II

By Adam Lippe

Bad Boys II is bad for all the expected reasons, terrible script (from Ron Shelton (?!), didn’t he make Bull Durham and Tin Cup?), wanton, pointless violence and a disregard for human life proudly unsurpassed (it is easy to criticize the scene where cadavers are being dropped on the highway but why they stole from […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.