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La Grande Bouffe

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

What?

By Adam Lippe

My theory has always been that Robert Altman fully developed his never-to-be-broken misanthropy while filming the conclusion of California Split. It was a spur of the moment decision on set, but who knows what Altman was going through personally at the time (he had a major problem with cocaine and alcohol)? George Segal and pal […]

Black Swan vs. Black Swan: Revisionist History Vol. 2, A Screener’s Revenge

By Adam Lippe

As a critic, my job is to be as objective as possible while acknowledging my own subjectivity. But what rarely comes into play, at least consciously, is whatever mood I might be in on the way into the theater. I saw Black Swan at the opening night of the Philadelphia Film Festival on October 14th. […]

The Missing Person

By Adam Lippe

It’s a shame that Hollywood is only interested in making origin films for the heroes of comic book films. Such is the case with the recent X-Men Origins: Wolverine. Frankly, the heroes tend to be dull. And so, while there are some aberrations—such as with Lexi Alexander’s campy, silly, and ridiculously entertaining and colorful Punisher: […]

Antichrist

By Adam Lippe

Lars Von Trier has always had a canny way of indulging his critics by playing into their vision of him as a technically accomplished, but emotionally manipulative, misogynistic boor. Von Trier knows how to provoke the audience but it isn’t clear if he knows why he’s doing it (much like Vincent Gallo), other than to […]

Quantum of Solace

By Adam Lippe

One of the most amusing things about the influx of Bourne-style action movies is that it puts the filmmakers in a peculiar bind. The Bourne films take themselves very seriously, but amidst their constant globetrotting (I’d imagine Jason Bourne manages to fill up even his fake passports with travel stamps), they tend to stay in […]

Up

By Adam Lippe

Do you like hearing kids screaming and parents rushing their children out of the theater never to return? Me too. Listening to the questions of the young ones surrounding me, as the opening montage comprised of miscarriages and cancer progressed (“why is she crying?”) made Up quite a distinct experience, and a delightful one at […]

Brazil

By Adam Lippe

Terry Gilliam has always claimed that studios dump or meddle with his movies because they don’t know how to sell them. I hadn’t seen Brazil in its entirety since my freshman year of college, I chalked up the hour I watched as a senior being bored and distracted as simply not being in the mood. […]

Europa

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is “Meatballs 4″, Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

The Tenant

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is “Meatballs 4″, Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.