Tag Archive

The Tree of Life

By Adam Lippe

Is there a significant difference between getting your money’s worth and getting too much? In terms of moviegoing, there’s two ways of dealing with that thought; Since you’ve paid, you have to get as much as you can out of the experience. Or, since you’ve paid, it’s your time and your money, and torturing yourself […]

Inception

By Adam Lippe

Christopher Nolan’s Inception shares a lot of similarities with Tarsem Singh’s The Cell*. It’s a highly ambitious story dealing with entering people’s minds and has grand and stylized visuals, and a harrumphing, doom-impending score by Hans Zimmer that could easily be confused for Howard Shore’s work (Along with The Cell, Shore writes music for most […]

2008 In Review

By Adam Lippe

A great premise can be tantalizing to a studio. A corporation only thinks about a way to sell its product, it is uninterested in its level of mediocrity, so a solitary, exciting idea sounds great in a 30 second ad. A writer knows better, realizing that the initial premise is only the starting point, you […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.