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Hamlet 2

By Adam Lippe

There are few things more obnoxious than a satire that keeps nudging you to remind you it’s only kidding. Hamlet 2, which is like if Waiting For Guffman were played as a straight comedy instead of as a documentary, and made sure to remove anything remotely funny, panders and plays it safe to the point […]

The Anti-Auteur, Michael Winterbottom

By Adam Lippe

As versatile as Steven Soderbergh and just as willing to take chances, if not more so, Michael Winterbottom has made some of the worst movies of their era (The Claim, Wonderland), and some of the most interesting and entertaining as well (24 Hour Party People, Welcome To Sarajevo). Since 1995, he has made 17 feature […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.