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Really, I’m fine with you watering it down: Part II: Blue Valentine, A Film Unfinished, and Red

By Adam Lippe

Continued from here: Sometimes the watering down of a movie is not from within, but the film gets punished for its honesty and direct emotion. Such is the case with Derek Cianfrance’s Blue Valentine which received a bewildering NC-17 from the MPAA for, well, because Michelle Williams has a realistic orgasm on screen. The MPAA […]

Death Race

By Adam Lippe

Watching a Paul W. S. Anderson movie is always a struggle. Gifted with one can’t miss big budget B movie after another, he does nothing with ideas like Alien vs. Predator, Soldier, Resident Evil, and the holy grail of overqualified actors picking up a paycheck, Event Horizon. How he screws these no-brainers up is not […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.