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Angels in America

By Adam Lippe

Angels in America is surprising in how it overcomes a facile ending and some ridiculously silly sequences (angels wrestling with each other) to remain generally moving and intimate. Emma Thompson’s dual performances as an angel and a NooYawk nurse were hammy, but Pacino and Justin Kirk, as the dumped AIDS infected lover walking around in […]

Northfork

By Adam Lippe

Stunningly shot. Every single image is astonishing. Think the black and white imagery of Seven (which may be in color, but clearly was intended to look like drained color), with a stronger emphasis on dark blue and grey. But much like the movie it is trying to evoke, Days of Heaven, the story is unfocused […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.