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A Podcast Q+A with Kelly McGillis, much awkwardness and bizarre fawning to follow

By Adam Lippe

Here is a podcast q+a with Kelly McGillis (Witness, Top Gun), recorded during Philadelphia’s QFest (Queerfest), as Ms. McGillis was being given the artistic achievement award. Normally, this isn’t the sort of q+a I’d upload, but the whole thing was so strange, I figured I should share. To give some context, Ms. McGillis was considered […]

Me and Him

By Adam Lippe

True film connoisseurs are eminently familiar with the later works of director Bob Clark, when he took a right turn from his popular early horror and exploitation titles like Black Christmas and Porky’s and chose to follow in the footsteps of his classic A Christmas Story by exclusively exploring the younger market. His most notable […]

Second Sight

By Adam Lippe

Much like the Pat Morita/Jay Leno vehicle, Collision Course, Second Sight has been an HBO staple for a very long time. Both heavily feature actors better suited for TV and neither has any aspirations to be anything less than reassuringly irritating. However, unlike virtually every second of Collision Course, Second Sight is never boring, despite […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.