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A Podcast with Roger Nygard, the Director of Trekkies, Suckers, and his new documentary The Nature of Existence

By Adam Lippe

Here’s a podcast with Roger Nygard, the director of Trekkies, Trekkies 2, High Strung (w/Steve Odekerk and Jim Carrey), Back to Back: American Yakuza 2, Suckers, and his new documentary The Nature of Existence. This hour long podcast covers such topics as how to sell your movie in Japan by adding a vs. to the […]

Whiteout

By Adam Lippe

Do you ever wonder what goes on during meetings about theatrical release dates for movies? Well, I know you don’t, but just whose idea was it to open the violent 3 hour exploitation pastiche/parody Grindhouse on Easter weekend? “We have an opening in April; do we have anything to fill it?” “Which weekend?” “Easter.” “Hmmm. […]

The Baby of Macon

By Adam Lippe

Peter Greenaway’s films are more divisive than virtually every other filmmaker working today. He has stated publicly that he is no longer interested in traditional ways of filmmaking, developing characters, telling a straightforward story, etc. Even the best experience I had with a Greenaway film, the sumptuous The Pillow Book, I left a screening with […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.