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The 5 minute feature film, volume 3: Virus + a bonus review of Virus

By Adam Lippe

Here is my 5 minute interpretation of John Bruno’s Virus, a sci-fi thriller from 1999 starring Jamie Lee Curtis, Donald Sutherland, and William Baldwin. As a movie, about a mysterious electrical life-force that animates killer robots on an abandoned Russian research vessel in the South Pacific, Virus is somehow simultaneously frantic and low energy. It’s […]

The Adjustment Bureau/Unknown/The Eagle

By Adam Lippe

In 2004, there was a surprisingly competent thriller released to theaters. Unfortunately it had a title that was not all that memorable, The Forgotten, and it was amidst a glut of “my child is missing” films, one of which also starred Julianne Moore, Freedomland. It had a premise that sounded familiar, Moore remembers her child, […]

The Mechanic (2011)

By Adam Lippe

Oh straight-faced stupidity, how I adore thee! While you’ve recently taken a hit with the advent of ironic violence and such confused projects as The Green Hornet which can’t decide if it means business or is only kidding (how about a 9 minute fight between our heroes that’s preoccupied primarily with property destruction), I sense […]

Whiteout

By Adam Lippe

Do you ever wonder what goes on during meetings about theatrical release dates for movies? Well, I know you don’t, but just whose idea was it to open the violent 3 hour exploitation pastiche/parody Grindhouse on Easter weekend? “We have an opening in April; do we have anything to fill it?” “Which weekend?” “Easter.” “Hmmm. […]

1900

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

The Italian Job (2003)

By Adam Lippe

When the movie was being released, I heard the story that Ed Norton was forced to do the movie, because he was under contract with Paramount and kept turning down script after script, and this was the last option he was given. And yet, Marky Mark claimed this was the best movie he’d ever been […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.