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An interview with Lynn Shelton, the director of Humpday

By Adam Lippe

Lynn Shelton, the director of Humpday (review and podcast here), was supporting her movie and I got a chance to pester her in person. Humpday is about two friends from college, now older. Ben (played by one of the credited pioneers of the Mumblecore movement, writer/director of The Puffy Chair and Baghead, Mark Duplass), is […]

Cinematic Conventions

By Adam Lippe

I have always appreciated the way that Wet Hot American Summer makes fun of not just summer camp movies, which is an easy target, but many comedy conventions that have long been overused. Especially funny is the mocking of the sports movie, where they actually discuss all the clichés, from the ragtag losers who become […]

Dumb and Dumberer

By Adam Lippe

Now that I have just forsaken 82 minutes by a viewing of Dumb and Dumberer, I can say that not only was I wrong about sequels, I want them to make more. Please have movies that while they begin promisingly (in the first shot, the camera is moving out of Mimi Rogers’ vagina while she […]

Visitor Q

By Adam Lippe

The difference between the Farrelly brothers movies and Visitor Q is the difference between the necessity involved in slapstick gross out humor and darker black humor. Gross out humor requires that the characters have no self awareness of their situation, if they know exactly what’s going on, if Ben Stiller knew he had cum on […]

The award movies you’ll miss and the lowbrow fun you should have instead

By Adam Lippe

It appears that Vagina Dentata is all the rage. With 2007’s Teeth, and the recent Parasite Killer Pussy (not porn, but an incredible simulation!), as well as Penetration Angst, male paranoia mixed with misogyny is making a very welcome comeback. Tokyo Gore Police, from the same team that brought us last year’s whirlwind of wonderfully […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.